Ferrante, Joan M. Dante's vision of the Afterlife in The Divine Comedy influenced the Renaissance, the Reformation and helped give us the modern world, writes Christian Blauvelt. Dante began the first section of his epic poem - the Inferno - in 1307, five years after his expulsion from Florence on corruption charges. The Mountain is on an island, the only land in the Southern Hemisphere, created by the displacement of rock which resulted when Satan's fall created Hell[30] (which Dante portrays as existing underneath Jerusalem[31]). Commentary to Paradiso, XXXII.3132 by Robert and Jean Hollander, I. Heullant-Donat and M.-A. In the upper reaches of Purgatory, the reader observes Dante reconstructing his classical tradition and then comes even closer to Dantes own great native tradition (placed higher than the classical tradition) when he meets Forese Donati, hears explainedin an encounter with Bonagiunta da Luccathe true resources of the dolce stil nuovo, and meets with Guido Guinizelli and hears how he surpassed in skill and poetic mastery the reigning regional poet, Guittone dArezzo. Dante Alighieri - Wikipedia Longfellow began translating Dante's La Divina Commedia at a sombre point in his life, after the death of his second wife in a fire. Dante, while adopting the convention, transforms the practice by beginning his journey with the visit to the land of the dead. The Purgatorio is notable for demonstrating the medieval knowledge of a spherical Earth. The Poet's Dante: Twentieth-Century Responses. He wrote the poem for an audience that included the princely courts he wished to communicate to, his contemporaries in the literary world and especially certain poets, and other educated listeners of the time. He was the first Italian. Celebrating Dante, the Father of Italian | Italian Language Week Copy. The first U.S. translation, raising American interest in the poem. angle of incidence is equal to the angle of reflection, List of English translations of the Divine Comedy, "Inferno, la Divina Commedia annotata e commentata da Tommaso Di Salvo, Zanichelli, Bologna, 1985", The Poetry of Allusion: Virgil and Ovid in Dante's Commedia, Digital Readers of Allusive Texts: Ovidian Intertextuality in the Commedia and the Digital Concordance on Intertextual Dante, Dictionary of Dante A Dictionary of the works of Dante, Mandel'tam and Dante: The Divine Comedy in Mandel'tam's Poetry of the 1930s, "The Divine Comedy in sculpture: Timothy Schmalz", The Wood of the Self-Murderers: The Harpies and the Suicides, Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil, The Seven Deadly Sins and the Four Last Things, https://en.wikipedia.org/w/index.php?title=Divine_Comedy&oldid=1151351731, Cultural depictions of Francesca da Rimini, Short description is different from Wikidata, Articles containing Italian-language text, Wikipedia articles needing page number citations from August 2022, Articles with Italian-language sources (it), Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0, Johann Numeister and Evangelista Angelini da Trevi, Unrhymed terzines.
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